NEW IN ’52, NEW AGAIN IN 2010

Just in time for Thanksgiving, we restored the finish on a Heywood-Wakefield dining room set from the early 1950’s. Our client inherited the furniture from her grandmother. In constant use since it was delivered in 1952, we received it in incredibly good condition. It had all the usual bumps and bruises that you would expect from 60 years of use. The finish was completely worn out, but there were surprisingly few structural repairs needed.

Heywood-Wakefield has been making furniture since 1826. This dining room was the pride and joy of the new owner in 1952. After all, mid century modern was brand new then. Constructed of solid birch, it was made with unquestionable quality. There are no secondary materials at all in the table or chairs. Even the table slides are made from solid birch, matching the table top exactly. The chairs are somewhat delicate looking, but solid as a rock. This is a true example of “they don’t make ’em like they used to”.

Our restoration centered on the finish. It was deteriorated beyond saving, which is only normal after that many years of service. We removed the original finish and treated some areas for stains. A few minor repairs were made before sanding and staining. We stained the furniture with a stain that exactly matches the original Heywood-Wakefield champagne color. A durable satin sheen topcoat completed the refinishing.

While we worked on the finish, our upholsterer recovered the original seat cushions (with labels intact) using fabric the client found that bears a close resemblance to the original. New padding makes them comfortable too.

Take a look at the photos and see a true American mid century classic.     

    

Don’t those chairs just scream 1950’s?

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LILY’S ART PROJECT

Our eight year old granddaughter, Lily recently spent an afternoon in the shop. She always asks to work on something when she is here. During this visit she spent a good part of the time on my bench sanding wood. After the excitement of that wore off, she took some colored markers and began the art process. As they have grown, all three of our granddaughters have spent time in the shop. Whenever they have been here, they always want to “work”. I always encourage it with lots of available wood blocks and sawdust. Who knows where it will lead? Plus, their parents love to see them after a couple of hours of creativity! Lily completed a couple of projects this visit, here’s one.

I count myself as one of the lucky ones. Lucky in the sense that I am able to make a living doing something that I actually like to do. How many people do you know that think of their work as drudgery? I can name several. We see examples all the time as clients visit the shop. Most, but not all, are men who ask to tour the shop area. Their faces tell the story as they look longingly at the tools, the wood, and the sawdust. Generally they will leave with a comment like “nice shop”, “wish I could do this”, or “man, your lucky”. Yea, I am. Any artist or artisan will tell you there is a great reward in creating something with your hands.

It’s too bad that most school systems don’t see much benefit in teaching kids to use their hands anymore. When you see the concentration and effort young kids such as Lily put into a small project it makes you wonder why? I follow a blog written by an educator that is trying to change that. Take a look at www.wisdomofhands.blogspot.com. And, take a look at Lily’s latest creation.

I’ll teach her to use the power tools when she’s a little taller.

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